Category: Fiction

27 October, 2014

Zia Haider Rahman talks to S S Haque

The Completeness of Novel-Writing and Inquiries into Epistemology

In this interview, Rahman discusses his influences, class, epistemology, and the difficulties of certain metaphoric language.


Emma Simpson

A Finite Infinity

As a deeply experimental work, The Bone Clocks is gloriously ambitious, surprising, moving, and a ridiculously fun read.


23 October, 2014

Kalika Sands

A Fugitive Virtue



13 October, 2014

Laura Ludtke

Either/Or/And/Both

With its deft representation of simultaneity and interpenetrating narratives, Ali Smith's novel is by turns provocative, sardonic, and genuine.


1 July, 2014

Fergus McGhee

Minority Culture



16 June, 2014

Peter Hill

Imperialism in the Valley of the Shadow of Death

Despite his imperialistic overtones, it is not possible simply to dismiss John Buchan as a jingoistic thriller-writer.


29 May, 2014

Laura Ludtke

One Is Not Simply A Vixen



19 May, 2014

Shahla Haque

Donna Tartt’s Paintbrush

Donna Tartt's Pulitzer Prize winner is 'redolent and compelling' at times, but the characters and plot fall flat and thin.


Christy Edwall

Contractions

Lydia Davis' newest collection flashes moments of brilliance, but lacks the consistency and generosity exemplary of her work.


5 May, 2014

Andrew Dean

Not Letting Go

Claudia Piermont's account of Philip Roth is marked by her close relationship with him, a relationship from which the book both benefits and suffers.